Showing posts with label flint hills. Show all posts
Showing posts with label flint hills. Show all posts

Wednesday, August 27, 2014

On Being from Kansas

Here come the Wizard of Oz jokes...

And that's the first thing you need to know about being a Kansan. You and your home state are often the butt of jokes--stale, tired jokes which are told with impunity.

"Where's Toto?"

"Where's Auntie Em?"

"Where's [insert any Oz character name here]?

When I worked at a grocery store in high school, one "import" family would shop wearing matching "We're not in Kansas anymore" t-shirts. True story. They'd come in on a weeknight around 9 PM, an hour before close, and wander the aisles in those shirts.

(sic 'em, Toto)

It goes beyond Oz. I've known folks from more populous states/the coasts who really, truly seem to believe we still use Conestoga wagons for transport. Ha ha. Our state is flat as a pancake... a few years ago, one mathematician "proved" Kansas, relatively, was flatter than a pancake. And it's not as if our state government helps us much. We've suffered embarrassing State Board of Education fights over evolution and passed legislation requiring voter ID, because, as you know, massive amounts of illegal immigrants flock to Kansas so they can vote illegally. I hear they're bused in, in fact. "It's all those damn Democrats' doin'!" wails the old man with belly-length beard next to the spittoon.

I say "we," but I never voted for such a thing. Maybe our collective unconscious remembers a time when "illegal" voters did arrive in our fair state (before it was a state). But that, dear friends, was before the American Civil War... back when Kansas meant something progressive and on the edge. Bleeding Kansas. In the years leading to the most deadly conflict in United States history, the first shots were fired here. Legendary terrorists like John Brown murdered in the name of abolition and William Quantrill burned my adopted city, Lawrence, to the ground.

(A Painting Depicting Quantrill's raid from the LJ World)

Our state motto, Ad Astra Per Aspera, reflects on the struggle to join the Union.

To the Stars Through Difficulty.

That's good stuff. That's why I'm proud to be a Kansan despite the jokes and hayseed assumptions. I'm proud to be a Kansan despite our own failings and weaknesses. This is a place where people understand suffering and sacrifice. This is a place of good, hearty people who tell the truth. Honesty is valued here and hard work, too.

Maybe it's because of our position as butt of so many national jokes that Kansans have become so patient. There's intolerance here--unfortunately more than I want to believe at times--but when you meet a Kansan one-on-one, the facades of bigotry often melt away. Not always, but often enough to know something good lies within. We know we have warts. We know we have scars. But, from my experience, we own them. Maybe not every individual... but a collective "we." One cannot have suffered repeated offenses without developing a degree of humility.

A Kansan knows it isn't very humble to speak of one's humility.  We know we are broken as much as anyone else, but we are also aware of our humanity. We want good, honest stories more than we need grand lectures from any pulpit--even a secular one.

I work as a guidance counselor in a small, Northeast Kansas high school. Every year, we receive at least one new student from some other portion of the country--California, Florida, Michigan in the last few years--and are charged with the care of this adolescent. We joke that we're supposed to "save" them because we are used to being the brunt of jokes."Send the boy to Kansas. They'll learn him right. And if not... there's nothing to do out there, anyway."

We take this "orphan" in an make him our own. We care for her and teach her how to be good to other people and that she matters. We build relationships. We listen. We try again when we fail because we know--thanks to lessons from our rough climate won by generations of farmers and ranchers--failure is coming.

But so is triumph, little victories of the most mundane, everyday variety.

Go on. Make fun of us. Ask about Toto (the dog not the band). Try and win us with golden tongues and well-formed words. Just be honest. Genuine. Flawed and human. If you are, you just might belong here:

The Flint Hills of Kansas seen from the air (Jim Richardson, National Geographic)
 (Flat as a what?)

Monday, September 20, 2010

On Monuments

I took the family to Council Grove, Kansas, this weekend, a place I jokingly referred to as "the dark heart of Kansas". Council Grove has its fair share of history--for several years it was the last stop heading southwest on the Santa Fe Trail. Last stop before Santa Fe, that is...

The Kanza people used to live around Council Grove, and our fair state takes its name from their tribe. In an act of cruel, bitter, irony, the last Kanza were forced out of Kansas to "Indian Territory" (now Oklahoma). In 1925, a section of riverbank gave way south of town, spilling forth the remains of an anonymous Kanza warrior and his horse (they were often buried with a favorite mount for the "next world"). Local citizens erected the thirty-five-foot high monument seen in the picture, entombing the warrior and his burial paraphernalia in the base of the structure. The Kaw Nation, a self-governing native tribe, now owns the land around the monument. They've constructed the Kanza Heritage Trail through Allegawaho Memorial Heritage Park, a beautiful, 158 acre plot of the Flint Hills.

Being in the presence of such history stirs thoughts of one's own mortality. What monument, if any, do I want to leave behind?

My wife has suggested writing is an "attempt to gain immortality". I hate to tell her how much of my work simply exists as electrons in the virtual ether. One big EMP* and WHAM! But maybe she's right. Maybe.

KV Taylor asked a great question on Saturday, and I'm paraphrasing here...

Would you keep writing if you knew you'd never be published again?

I commented I would keep writing, being a stubborn bastard, but only because I don't think I could believe nothing would be published again. Really, what's the point in trying to communicate (reader/writer relationship) without someone on the other end of the line? I'm not scribbling notes in a personal journal all those hours locked away in The Lavender Man Cave.

And then there's this: On Friday, I began posting The Borrowed Saints, a YA book which I wrote last year. I like the book. I love parts of it. But I won't query it; I'm not looking for a publisher. I'm giving it away, even if only one person reads it. (I hope at least one person reads it.)

Why give it away? Is it a gambit to find an agent/publisher/audience? (And Thanks, Mr. Fowler, for the question.)

Hell no. I'm not so brazen (or foolish) to think any of those things would happen.

I learned early on in this "writing game" I can only control so much. The universe will unfold as it will. See the revelation of the anonymous Kanza Warrior only after his people are shamefully forced from their homeland for proof. "We were here...we are here...we will always be here..." he seems to say. We can pretend to shore away for the future, our monument making, but all we really have is the now. The future belongs to the future.

And for now, I love to write and want to share my work.

Wednesday, December 16, 2009

WIP Wednesday: The OUCH! Edition

Why I don't submit to many "literary" markets anymore:

This story requires a suspension of disbelief of epic proportions. The title is not great. The story is not original. Again, thanks so much for your submission.

No, thank you for reminding me.


So I am knocking out the first draft of a piece for The Harrow's forthcoming Day Terrors Anthology. I haven't written anything for a specific anthology in a while...quite a while. Yeah, it only pays $10, but I see it as a challenge--plus, I had this dream that fit perfectly. (put that in your pipe and smoke it, 'cause some folks think that's all 10 bucks is worth)
From "In the Grass":

Barry’s face was ashen, drawn. He lifted his right arm, blood oozing from fresh wounds, and pointed toward in the direction of the road, only there wasn’t a road. “We’re lost.”

Nick coughed and spat a dark mix of blood and mucus on the ground. “You aren’t lost…you’re trapped.”

I owe part of the story to the Flint Hills, a unique geological feature to east-central Kansas, and "What Was It?" by Fitz-James O'Brien (as reprinted in American Fantastic Tales Volume 1, edited by Peter Straub).

When I finish the story, I plan on a final editing pass of Loathsome, Dark, and Deep in preparation for submissions early next year. Oh, and Daniel LeMoal, the author of one of my favorite stories from Best Horror of the Year Volume 1 ("Beach Head"), will have a piece in 2010's 52 Stitches line up. (hence the fan-boy squee yesterday)

Wednesday is good. Enjoy yours.