Showing posts with label edgar allan poe. Show all posts
Showing posts with label edgar allan poe. Show all posts

Monday, May 2, 2011

Great Stories: "The Fall of the House of Usher" by Edgar Allan Poe

Every American Literature text in this country has at least one entry, if not two, from Edgar Allan Poe. He's an icon to students everywhere, and while his texts are difficult, I never hear complaints. Something about murder, plague, and madness speaks to the teenage mind, I suppose.

I've been spending a portion of my Thursday evenings, while Max takes gymnastics class, walking through historic Oak Hill cemetery. It's a lovely, gloomy place with craggy hillsides littered with monuments, plenty of gnarled and twisted trees which snatch up the fading daylight. Ah...

And then there's this:


While the Usher family of Poe's story entombed the dead in catacombs below the house, it's simply delightful to walk past a crumbling, in-earth vault inscribed with the name "Usher".

"The Fall of The House of Usher" is one of Poe's masterpieces. You can click on the text below to read the full story, should you wish. Have a wonderful Monday.

DURING THE WHOLE of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was—but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil.

Friday, February 5, 2010

#fridayflash Poe's Basement

"Damn, Jack. I told you we should have rolled him up in the carpet first."

"We still can. You have no imagination."

I step away from the spreading pool of blood. "No, dumbass. If you wrap him first and shoot through the rug, it doesn't splatter so much. Easier clean up."

Jack runs a hand through his hair."Oh. Right. Sorry."

"Look, we gotta do something with this mess." I wave the gun toward the kitchen. "What's in there?"

A smile crawls across his lips. "Oh, I get it. Stairway to the basement." Jack nods. "Like that Poe story, right?"

"Not Poe again."

"The basement...we can hide the body down there. Poe used that one, too. 'The Black Cat' I think." Jack grabs Mr. Body's feet and pulls him across the hardwood, leaving a thick streak in his path.

"For fuck's sake, you're making it worse."

Jack pauses. "What?"

"The blood, dumbass. We gotta clean up."

His stare shifts from the blood to the body to me. "That's what the fire is for."

"Fire? Jeeee-sus."

Jack shakes his head. "Don't you read anything?"

__________


Remember, remember why they used the blender?

Monday, October 19, 2009

Premature Burial

Not mine.

A student asked about the term "graveyard shift" this morning which led to a bit of interwebTM investigation. Yes, "accidental burial" signaling devices were once in vogue. For a fascinating starting place to research the topic of premature burial, I recommend this article from Snopes.com.

Ah, the macabre. What a wonderful month is October! Today, we read "The Raven":



Enjoy Monday.

Friday, July 10, 2009

Why We Decided to Use a Blender


(this one isn't for the kids)


Jack wipes sweat from his forehead with the back of his arm. “You ever read that Poe story?”

I look up, but my hands keep working. “Which one? The guy wrote tons of stuff.”

“The one with the old guy.” Jack thrusts deeper with the knife.

A spurt of crimson strikes my apron and I flinch. “Be careful, damnit.”

“So, have you read that one?”

“Jack, there’s a couple with old guys.” My knees are tired from kneeling on the tile, but the job is almost finished.

Jack stops. He looks at the bathroom light as if the answer's hiding there.

“The Tell-Tale Heart,” he says, puffing out his smile like he just won the Kentucky Derby or something.

“Oh yeah.” I look at the mess in the tub. We’ve got most of the corpse dismembered. “Cuts the old guy up, buries him under the floorboards.”

Jack nods and holds up a lump of meat. A few ticks pass before I realize what he’s holding. “Be a shame if we heard this thing beating later on, wouldn’t it?”

Wednesday, June 3, 2009

This is What Happens in Summer

Man, take away my structure...and wham...I don't blog for days, I forget to shave...and what's my name?

I'm on point this week with the boys (my wife has an extended contract, and works through Friday). Happy to say I am writing, but fighting my instant lack of structure at the same time.

It happens every summer, and it is a good problem to have.

The best part of time off of the ol' job is more time spent with Thing 1 and Thing 2. Owen is learning to read. Man, how he lit up this morning when he realized (and showed me) that he can read Hop on Pop by Dr. Seuss. I'll have him devouring Lovecraft and Poe in no time.

Speaking of Poe, I have a couple of nonfiction projects rattling around in my head. Both are hybrids of my day job and my love of dark fiction. The first, a collection of Poe stories with teacherly resources, annotations, and other goodies. Sure, teacher's guides and annotated editions exist, but most are too pricey (publishers must think teachers/schools are made of money...wait...they are made with tax money) or just plain lame. Teenagers sniff out lame faster than...well, something really fast.

The second, and this one is a stretch, is a book about teaching horror as a way to reach adolescent non-readers. Most books I can find on the subject approach horror as one would in a graduate level literature class. I'm thinking about a course for at-risk readers with high interest material (good quality stuff, too--not just schlock and gore). Even my most reluctant students perk up at the mention of Poe. You should see the reaction when we read "In the Vault" by H.P. Lovecraft (Cthulhu might be a little over some heads).

So...am I already missing school, or do these ideas have any merit?